Eventually my turn came, and the words that I had written in silence (an earplug-enhanced silence, as a matter of fact, that amplified the fleeting Chiclety contact of upper and lower incisors, and made audible the inner squirt of an eyeball when I rubbed it roughly, and called to my attention the muffled roar of eyelid muscles when my eyes were squeezed shut in an effort to see, using the infrared of prose, whatever it was that I most wanted at that moment to describe)–these formerly silent words unfolded themselves like lawn chairs in my mouth and emerged one by one wearing large Siberian hats of consonants and long erminous vowels, and landed softly, without visible damage, here and there in the audience, and I thought, Gosh, I’m reading aloud, from Chapter Seven!
–Nicholson Baker, “Reading Aloud,” from The Size of Thoughts
AboutPoets think in lines, prose writers in sentences; the best of both work from sound to sense, with an ear for the music in their compositions. S for Sentence celebrates lyricism in prose, the play and craft at work in the artful sentence. We post a sentence a month along with comments by a guest writer on the craft that shapes it, on what makes it great. In one or two sentences.
—Pearl Abraham, Editor
–Pearl Abraham is the author of American Taliban and The Seventh Beggar